Brand films
2–5 minutes for DTC and B2B clients. Concept, script, shoot, edit — one thread of accountability.
Booking 2026 + 2027
Brand films, weddings, founder documentaries. Fourteen projects a year, by design.
Full films shared privately — every link below the fold of an email, not a public reel.
I direct, shoot, and cut everything myself, with a sound recordist and a gaffer when the project earns them. Fourteen projects a year is the number where every frame still gets watched twice.
“Our brand film generated more direct enquiries than the previous three years of content combined.”
2–5 minutes for DTC and B2B clients. Concept, script, shoot, edit — one thread of accountability.
Long-form and short-form edits, documentary approach. I take eight a year so each one gets the full edit.
15–30 minute portraits commissioned by companies and nonprofits. Slow interviews, honest cuts.
Three a year, hand-picked. Small budgets welcome when the idea is interesting.
Documentary and short work only — brand films are made for the client, not a jury.
Every film is quoted as one fixed number after the treatment — no hourly billing, no line-item creep. These are starting points, not a menu.
Travel billed at cost. Anything over six hours of transit adds a rest day before the shoot — tired eyes miss shots.
A written concept with references, shot ideas, and a fixed quote. You approve the film on paper before a camera moves.
Small footprint, natural light where it wins, and schedules with slack built in — rushed footage looks rushed forever.
First cut in three weeks. Two structured revision rounds — notes in writing, changes explained.
4K masters, social cuts, and an archive of selects you own outright.




Describe it badly — that's fine. The treatment is where it becomes a film.
What it's for, roughly when, and anything you've seen that feels right. I respond within two business days.