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Brooklyn, mostlyIndependent since 2022Available · selectively

Quiet work. Carefully made.

I write, design, and research at the intersection of typography, slow technology, and what working life could feel like. Three or four briefs a year, chosen slowly.

EditorialIdentityTypeResearchWriting
The morning coffee, first thing
Where most of it happens
01Recent workLonger list over email

A selection

Brushwork studies for the museum markThe identity system on screen, mid-refinement

An identity for a small museum

Hudson, NY — 2025

Wordmark, wayfinding, and a print system for a museum with two rooms and a very good gift shop.

IdentityPrintWayfinding
  • A type specimen for an indie foundry

    Ordinary Type Co.2024
  • A small book about pausing

    Self-published2023
  • Editorial redesign for a quarterly

    The Long Middle2023
The practice
14
Years across studios and alone
3–4
Briefs a year, by design
1
Book underway, about creative practice

Enough briefs to do them properly.

Fourteen years in studios taught me what a brief needs; independence taught me how few to take. The rest of the time goes to writing and research — which is also, quietly, where the client work gets better.

Long-form preferredPrint-friendlySlow on purpose
How it went

Fourteen years, abbreviated

The studios, the leaving, and what independence actually looked like year by year.

  1. First studio job

    Junior designer at a four-person editorial studio. Set type badly for eighteen months and learned to read a printer's proof properly.

  2. Books, finally

    Moved to a house imprint. Forty-odd covers, six interiors, and the first specimen I would still show anyone.

  3. Design director, museum group

    Identity and wayfinding across three small institutions. Learned that signage is written before it is drawn.

  4. Independent

    Left with two clients and a rule: three or four briefs a year, fixed price, no discovery calls. Both clients are still here.

  5. The first book of my own

    Ninety-six pages about rests and margins. Second printing; the first sold out at readings.

  6. Writing the second

    A longer one, about creative practice. Client work funds it; the letter is where drafts appear first.

She turned our two-room museum into a place that feels inevitable. Visitors photograph the signage.
June Alvarez
Director · The Field Museum of Everyday Things
02What I take onFixed price, always

Three kinds of brief

01

Editorial design

Books, journals, specimens, annual reports that people actually read. From grid to printer handoff, 6–12 weeks.

02

Identity

Wordmarks and systems for small institutions and stubborn independents. Print-first, digital-fluent.

03

Writing + research

Essays, commissioned research, and the occasional naming problem. Rates by the piece, not the hour.

03Working togetherNo discovery calls

How a brief becomes work

  1. Send the brief

    A paragraph is enough — what it is, when it's needed, roughly what's set aside for it. I read everything and reply within a week.

  2. A yes, a no, or a name

    If it's not for me I'll say so and suggest someone better suited. If it is, you get a fixed price and a start date in writing.

  3. The work

    Fortnightly shares of real work in progress — no mood boards, no big reveal. You'll always know where the project stands.

  4. The handoff

    Files, sources, and a short written guide to living with the work. Then I disappear, pleasantly, until you need me again.

04Before you write

Fair questions

How do we start?
Send the brief by email. You'll get a yes, a no, or a question within a week — never a scheduling link.
What does it cost?
Fixed price after I've read the brief. No hourly billing; the meter changes how everyone thinks.
What's the turnaround?
Editorial projects run 6–12 weeks. If your date is immovable, say so up front and I'll tell you honestly whether it fits.
Do you take small jobs?
Sometimes — small and interesting beats big and beige. The book pile is the only real competition.
The morning desk: coffee, glasses, an open book

Working on something quiet?

A paragraph about it is plenty. I reply to every brief within a week — with a yes, a no, or the right person's name.

Three or four briefs a year · currently reading yours

A short letter, every two months

What I am reading, what I am making, and the occasional essay that got too long for anywhere else. Six letters a year, no tracking pixels, unsubscribe in one click.

Get in touch

Briefs, collaborations, writing commissions. I reply to every email; please give me a few days.