

A cover story on attention
New York — 2025Feature opener + three spots, hand-painted, delivered in nine days.
EditorialPrintEditorial · commercial · book covers
Recent: a national magazine feature, two trade covers, a brand campaign. Available for commissions from March.


Feature opener + three spots, hand-painted, delivered in nine days.
EditorialPrintEverything starts on paper — gouache, ink, pencil — and gets scanned, not simulated. The texture your art director wants is real because it is real.
“The rare illustrator who hits the deadline early and still surprises you. The sketches alone were worth the fee.”
Magazines, op-eds, newsletters. Lead time 1–3 weeks; rush possible for the right brief.
Trade fiction + non-fiction. Lead time 6–10 weeks including two revision rounds.
Campaigns, packaging, murals. Larger engagements handled with my rep.
Limited edition prints twice a year. Licensing enquiries through the rep.
Starting rates for one year of the stated use. Everything is quoted in writing before a pencil moves — no meter, no surprises.
Print + web, one territory
Includes two sketch rounds
Scope, media and territory dependent
Handled with my rep
Per use, per year
Materials and access billed at cost
Rush work inside a week carries a 25% surcharge when I can take it. Rates are starting points for a full brief — send yours and you get a fixed number back within three days.
Send the article, manuscript, or campaign deck. I reply within three days with a fee and timeline.
Two or three pencil directions. We pick one; this is where the big decisions happen cheaply.
Painted, scanned at 1200dpi, delivered layered. Two revision rounds included.





Send the article, the manuscript, or the campaign deck. I reply to every enquiry within three business days.
A paragraph about the project and the timeline is plenty. Full portfolio and rate card come back with my reply.